I shot photographs from when I was 6 years old. I played with Threepenny machines up to 18. Then I discovered the reflex camera (first an old Zenit E, then Olympus OM1, OM2). I discovered the black and white (the mythical Ilford), the dark room. From 20 years to 45 I snapped, developed and printed thousands of photos. Especially dance, theatre, portraits. Almost always black and white. When digital arrived I was very wary. Then, slowly, I discovered the advantages in the use of digital cameras and, sometimes, Photoshop. I'm not a pro but (I think) a good amateur and today, 64 years old, I'm still taking hundreds of photos with Canon EOS 550D and Olympus OM d – E-M 10 Mark III. I always love dance, theatre and portraits. But also the landscape, reportage and above all street photography. And now that I have the iPhone, sometimes with Hipstamatic app, I discovered a wonderful chance to take pictures whenever I want. I’m on FLICKR like Maurizio Zanetti – mauzzan https://www.flickr.com/
Place in Italy
Going around the street with the smartphone in your hands or in any case at hand is always an opportunity to transform an image into a photograph. And if the walk takes place in the most beautiful city in the world, Venice, the only problem is to have a spare battery, because the opportunities to take a photo are endless. Here we are in the area of the Ostello di Santa Fosca, Cannaregio, once a convent of the Church of the Servants of Mary. Of which some walls remain around a splendid courtyard.
Christmas in Venice means being able to find a shared Christmas tree in a small square in the Castello district, far from the tourist flow. The photo dates back to the end of December 2018. A memory that the current pandemic makes even clearer. A wish that everything can be as before as soon as possible.
Contrada Cenise di Sotto, a group of beautifully restored ancient houses respecting what they were. With a small museum that reminds passers-by of the culture and work of those who lived in the past in those houses. To get there, take a small road that starts from Bosco Chiesanuova, about thirty kilometers from Verona. It is nice to go there in every season but it is with autumn that the colors literally leave you breathless.
The advantage of always having your smartphone with you is not in being reachable for a phone call but in being able to have a decent camera. So it can happen that you walk along the path along the walls of Verona at an hour when the setting sun gives lights and shadows on an old wall. And an emotion becomes photography.
There is nothing to do: you can no longer see the mists of the past, the ones that even in the city center prevented you from seeing a few meters away. Today, it will be due to the rise in temperatures, more mists than fogs in the center. However, they give magic to known landscapes. As in the Roman bridge Ponte Pietra.
Hard to get up at dawn in late summer, the sun still rises very early. But if you do it and you are by the sea on the Conero Riviera, with a little luck you can find this beautiful landscape.
Between Malga Lessinia and Castelberto, Lessinia Regional Park, trenches were dug among the ancient rocks during the First World War. Today they can be visited, with the silence and respect they deserve.
Sirolo, Conero Riviera, San Michele beach. Before the tourists arrive you can still admire the compositions left the previous day. Small constructions of land art, without pretending to be...
The Adige river gathers the historic center of Verona in a bend. From Ponte Nuovo you have a nice glance: on the left the church of Sant'Anastasia, on the right on the hill surrounded by cypresses Castel San Pietro, in the center, small little, Ponte Pietra. The clouds of a splendid day in late summer are the outline.
They call them "the crests of Monte Grolla". It is a path that runs along an overhang on the velle di Revolto, Lessinia Regional Park, less than an hour's drive from Verona.